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2409 Jefferson Street
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Nancy Dahlberg
Heart Lesson
Icicles drip in the sun, then drop and silently pierce the snow. Indoors the children bend over scissors, red paper, their constructions—fresh-cut heart-shapes personalized with ragged edges— lopsided presentations on white lace, confections with designs on a friend, affection to sweeten the day. This year again the carpet’s spilled with red, evidence of the heart’s excess discarded in trying to get it right. Now the oldest child shows how to form a heart more perfectly with half the cutting, as if at a certain age one knows what will pass for love needs balance. It’s all in the fold, she says, and watching where you start, remembering edges, not forgetting the center. Her small hands hold the stiff paper just so, knowing that a heart given such attention will open to you doubled and whole.
At the Poetry Reading
Rising to read, the woman introduces herself, “I’m a retired surgeon; mother of six children.” I imagine the years spent scheduling her days— hospital calls and after-school activities— the amazing clutter of her life and still, the clicking keyboard late nights writing poems like the one she reads tonight about tackling, then beating up, the flower delivery guy who passed her by last Valentine’s Day without roses, no hard-work reward for her. Such injustice justified retaliation and bearing witness through words. I believed in the power of this woman; I wanted to be like her, wanted to be her. Later, over beers and fries she confessed, “Everything I said tonight was fabrication.” Yet I remain persuaded by the power of presentation, that truth lies in style.
Anywhere But Here
Fog, like wet wool in the face, oozes north over Salmon Bay, blankets the Chittenden Locks—
fresh water, sea water, rising then draining away. A man from landlocked Iowa smiles as the warning bell
announces the seaward gate’s parting, watches the yacht Clarissa disappear in the mist; and he yearns to be
on that vessel that will sail from Shilshole Bay through Puget Sound and beyond— to the Strait of Juan de Fuca,
the Pacific’s deep water. He’d like to be anywhere but here, visiting his Ballard in-laws with their lefsa and lutefisk
dinners, gray as this morning’s fog. He reaches over, hugs his wife, mutters something I can’t hear,
but I see her face cloud over before he sails off like the Clarissa and disappears from our midst.
Band Class
Low notes choke in the flute the way Robert plays it—strangled like Jessie’s high notes when she blows trumpet. Practice, practice, practice, the music teacher tells her class, but she knows the soccer field is where they want to be, not here in this band room after hours. She remembers her own struggles with the clarinet, moistening its reed just enough—how sometimes what she wanted to play stayed in her head; even given breath enough, the melody refused to flow from her throat, past her lips. Her students, keyed up now, are eager to perform. She taps her baton, smiles and nods to the young musicians, and the first notes teeter out like newborn chicks on wobbly legs.
When You Went Away
The moon waned to no moon; curtains drawn or not drawn, the rooms turned gray, never wholly light, mostly dark.
Photographs stopped getting older, nothing burned or needed water. I came in and went out. Evening and morning, everything always the same. I woke to an old memory of waking once— no, more than once— to a house empty and blind dark. I didn’t move, didn’t dare to.
I never knew until you went away how much you warmed the air and gave it color, how you moved from room to room, loving back the dark.
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Page modified: Monday, May 01, 2006 • webmaster: jim(at)graydog(dot)org ° 2005 This web site is copyrighted by Northwind Arts Alliance. All artwork is copyrighted by each artist. Northwind Arts Alliance is a non-profit, tax-exempt 501(c)(3) organization |
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