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2409 Jefferson Street
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Donna Frisk
Donna Frisk is a native Northwesterner who received her MFA in Creative Writing in 2002 at Antioch—L.A. Her work has been published in various literary publications and anthologies. Her chapbook Walnut Heart was published by Finishing Line Press in 2004.
The Age of Iron
There are scenes that should never be played out even behind iron gates of your mind—the enemy human in a milkbath of blood your buddies reduced to shattered bone
should never be routine— the eternal brain-rape of waiting for the repetitive rake of AKs to strafe your position the unbearable uncertainty when dark eyes in a black burka advance toward you refusing to Halt! the knowing each minute each day as your tank grinds up the road the dead certainty coagulated on your soul you are going to die until like the steel beneath your feet all your senses are annealed.
So that after months when surprise you’re still alive you find you cannot resurrect that small essence curled like lead in your gut having learned too well how to be dead.
We Could Wish for Such Perfection
Its covering forest dark. Its knobbiness—alligator pear some call it. Who would guess what decadence resides within?
Ah yes, the avocado, its peridot yellow-green, its slippery slide along the tongue, the way it spreads itself, malleable as butter, over rustic bread washed down with a mug of ice-cold beer, or chunks up nicely with onion tomato lime cilantro transforming into guacamole to be scooped up on a wedge of bread.
The Aztecs used avocado as an aphrodisiac. Conquistadores used the red-brown liquid of its seed for ink. They must have hated writing home to their financiers. All the avocados they had to eat. The bloated passion after.
Nirvana would be to spread a piece of toast each morning with this buttery jewel of heaven to savor while I sip my coffee. Instead, that self-indulgent part of me, the part constricted as a lemon pucker that could never dive bare-bottomed into any body of water, can only fantasize such uninhibited wantonness.
Connected
Everything is a part of the world we can see, taste, touch, hold onto . . . —Mary Oliver, “Gravel”
It’s a day for stoking the woodstove, for sorting through boxes and files while the wind blows song sparrows off course, while black-capped chickadees think twice about making their skittish flights from the hawthorn tree to easy food at the feeder.
I prepare lunch— a flowered bowl brimming with tomato soup, crusty bread spread with soft butter, lemon-ginger tea in a glass mug steeping to pale yellow. On my table the bounty of the world.
The gray wind outside gnashing at crisp leaves, the soft quiet inside wrapping me like feathers, fire sucking up the flue— such a day. A day with no errands, no have-to-do projects poking like a burr. A day, though half gone, holding all the possibility of primordial ooze.
For the Taking
It is like being adrift in a heavenly lake . . . —The Art of Writing: Lu Chi’s Wen Fu
Words, like a million falling snowflakes, fill the whole sky. My mouth is open.
Images, broadcast like oyster larvae into a vast green sea, seek a firm home to latch onto.
Our rhythms are leaves afloat on ripples, rolling into fluid blues.
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Page modified: Monday, May 01, 2006 • webmaster: jim(at)graydog(dot)org ° 2005 This web site is copyrighted by Northwind Arts Alliance. All artwork is copyrighted by each artist. Northwind Arts Alliance is a non-profit, tax-exempt 501(c)(3) organization |
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