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Port Townsend, WA
360-379-1086

 

 

Sy Kahn

Two Poems

 

In the Writing Room of the American Colony

     Hotel, Jerusalem

 

Except for the foreign girl reading

Papa Hemingway, I have been alone

all morning, amidst inlaid tables,

Persian ceramic tiles and carpets,

mirrors in hand-carved wooden frames,

to hold your image firm if not clear,

all under a recessed ceiling of blue wood

and metallic stars. This is the room

where the Pasha once held court,

who owned it all, and a harem of

wives and concubines who lived

in marble recesses along stone

halls that run from his bedroom.

 

The bedroom now is the best room

in the hotel, at present occupied

by a Congressman from the American

South, and his wife, who sanctify

the Pasha's voluptuous bed.

 

And now that the girl has left,

taking Papa Hemingway with her,

I can stare thru the arched doorway

at the white-arched doorway

across the hall, to the doublewide

doors of the big, old bedroom,

and wonder if the Pasha was passionate,

or, with all his women, as befits his status,

was merely keeping up with Pasha Jones.                                                                       

 

And I am less intrigued, being older,

by any lascivious images of variable

and variant sex, and nightly selections

and commands, as by the dumb idea,

that if the Pasha would appear,

and the hotel disappear,

dissolve back to one gorgeous moment

of his multicolored entrance—

a hash dream of primary colors—

then I would celebrate his coming

with clashing cymbals,

and mighty paeans and poems: 

 

The mighty Pasha has arisen

in Jerusalem, the passionate Pasha,

his body pulsing with colors,

his fingers ringed and flashing—

and Papa Hemingway, I would believe,

could rise too, not between the hard covers
of a book, held in the hands
 
of a foreign girl, but, as the sun 
also rises, rise again—and I  
could believe I too am a phoenix.

 

The room in Jerusalem waits
in serious and silent glory.

 

From Facing Mirrors

 

 

 


 

 

   Friday Afternoons

 

When I was a schoolboy

I built my week on Friday afternoons.

Then we were released

From the prisons of our carved

And inkstained desks,

To go to the closet,

Otherwise kept locked, where shelves

Of books waited in their weeklong dark.

 

After lunch, and waiting for the word,

We moved to the closeted stories

Of adventure, mysteries and explorations,

And domestic tales in which

Children were the heroes in their homes.

 

Each of us in turn

Selected, with little chance to browse,

Either a book not read before simply

By title, and by luck, or read again

A book previously enjoyed.

 

Oh, these were delicious afternoons.

We settled in our wooden seats

Like exploratory pilots in new planes,

While framed in tall schoolhouse windows

The seasons changed from harlequin fall

To white winter, and then blithe spring

We vaguely knew to be symbolic of our age.

 

But whether the windows revealed rain, snow or sun,

We sat in ritualistic silence, and we could hear

The ticking of the clock, birdsong, the rustle

Of papers on the teacher's desk, and the noises

That the schoolhouse and our bodies made

As we turned the pages through Friday afternoons.

 

As I grew through the lagging or spinning weeks,

Through the hard years of the Great Depression,

And my own small joys and depressions,

Through family upheavals and deaths,

Streetcorner rumbles and intimations of war,

Only on Friday afternoons peace reigned

No matter how turbulent a week.

 

There came a Friday when my searching hand

Found Walt Whitman's Leaves of Grass.

In the tall silence of that room

I first heard the “barbaric yawp”

Of this sly and bearded man

Whose image stared out at me

From the book.  His poetry,

Sometimes roaring, sometimes sibilant as the sea,

Was all the sounds I heard that Friday afternoon.

 

With a Whitman poem copied and clutched,

I ran up the slanting streets of Manhattan

To proclaim to my mother, who in a dozen years

Would be no more, the prime discovery

Of Friday afternoons.  And there, in that

Fading autumn light, excited over our glasses of tea,

I sang for her my boyhood Whitman poem,

And sowed the seed that grew

To be this song.

 

 

 

                                                                                    From Further Reflections

 


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