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2409 Jefferson Street
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Sy KahnTwo Poems
In the Writing Room of the American Colony Hotel, Jerusalem
Except for the foreign girl reading Papa Hemingway, I have been alone all morning, amidst inlaid tables, Persian ceramic tiles and carpets, mirrors in hand-carved wooden frames, to hold your image firm if not clear, all under a recessed ceiling of blue wood and metallic stars. This is the room where the Pasha once held court, who owned it all, and a harem of wives and concubines who lived in marble recesses along stone halls that run from his bedroom.
The bedroom now is the best room in the hotel, at present occupied by a Congressman from the American South, and his wife, who sanctify the Pasha's voluptuous bed.
And now that the girl has left, taking Papa Hemingway with her, I can stare thru the arched doorway at the white-arched doorway across the hall, to the doublewide doors of the big, old bedroom, and wonder if the Pasha was passionate, or, with all his women, as befits his status, was merely keeping up with Pasha Jones.
And I am less intrigued, being older, by any lascivious images of variable and variant sex, and nightly selections and commands, as by the dumb idea, that if the Pasha would appear, and the hotel disappear, dissolve back to one gorgeous moment of his multicolored entrance— a hash dream of primary colors— then I would celebrate his coming with clashing cymbals, and mighty paeans and poems:
The mighty Pasha has arisen in Jerusalem, the passionate Pasha, his body pulsing with colors, his fingers ringed and flashing— and Papa Hemingway, I would believe,
could rise too,
not between the hard covers
The room in
Jerusalem waits
From Facing Mirrors
Friday Afternoons
When I was a schoolboy I built my week on Friday afternoons. Then we were released From the prisons of our carved And inkstained desks, To go to the closet, Otherwise kept locked, where shelves Of books waited in their weeklong dark.
After lunch, and waiting for the word, We moved to the closeted stories Of adventure, mysteries and explorations, And domestic tales in which Children were the heroes in their homes.
Each of us in turn Selected, with little chance to browse, Either a book not read before simply By title, and by luck, or read again A book previously enjoyed.
Oh, these were delicious afternoons. We settled in our wooden seats Like exploratory pilots in new planes, While framed in tall schoolhouse windows The seasons changed from harlequin fall To white winter, and then blithe spring We vaguely knew to be symbolic of our age.
But whether the windows revealed rain, snow or sun, We sat in ritualistic silence, and we could hear The ticking of the clock, birdsong, the rustle Of papers on the teacher's desk, and the noises That the schoolhouse and our bodies made As we turned the pages through Friday afternoons.
As I grew through the lagging or spinning weeks, Through the hard years of the Great Depression, And my own small joys and depressions, Through family upheavals and deaths, Streetcorner rumbles and intimations of war, Only on Friday afternoons peace reigned No matter how turbulent a week.
There came a Friday when my searching hand Found Walt Whitman's Leaves of Grass. In the tall silence of that room I first heard the “barbaric yawp” Of this sly and bearded man Whose image stared out at me From the book. His poetry, Sometimes roaring, sometimes sibilant as the sea, Was all the sounds I heard that Friday afternoon.
With a Whitman poem copied and clutched, I ran up the slanting streets of Manhattan To proclaim to my mother, who in a dozen years Would be no more, the prime discovery Of Friday afternoons. And there, in that Fading autumn light, excited over our glasses of tea, I sang for her my boyhood Whitman poem, And sowed the seed that grew To be this song.
From Further Reflections
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Page modified: Monday, May 01, 2006 • webmaster: jim(at)graydog(dot)org ° 2005 This web site is copyrighted by Northwind Arts Alliance. All artwork is copyrighted by each artist. Northwind Arts Alliance is a non-profit, tax-exempt 501(c)(3) organization |
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