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Regional
2409 Jefferson Street
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Somewhere Men Make Plans for War
From darkened seats, the drumbeats, the gong, the duet of zither and flute before the stories begin and a golden dragon dances across the water.
Not the kind with flaring nostrils, thick flank, fiery tongue, but a playful creature skating over the ripples, nothing but amusement in its wooden head.
A blue-green turtle reclaims its magic sword, carries its baby on its back. From his yellow boat, a fisherman lands a perch in a pail. Painted children toss bright colored balls.
Ducks with shiny down, the lacquered reds, blues, the wooden people with marbled masks float on the surface, myths a thousand years have not erased from the rivers.
No one sees the waist-high water; puppeteers behind bamboo pulling invisible strings and poles that never tangle. This is the pleasure: the music, the hours of practice, the telling of stories
with water and wood. We have only one life.
The Lacquer Factory (Vietnam, 2000)
In Hue, twelve young men sit at long tables against a wall. They neither look up nor smile, intent on laborious lacquer techniques. Their hands, blackened with rosin, apply as many as twelve times to sanded and polished wood. It is the mother-of-pearl inlay, the gold dust and eggshell that yields the final shine.
The work goes on where fans spread heat and fumes. Men paint and brush, cut and seal when the inset is primed. A gleam of oil on their hands reflects the onyx displays on the lacquer-ware shelves. Their sweaty faces mirror the gloss of every piece.
day 16
Today in the mail, a note, a photo. A January day slips from the envelope: horse trailer behind a wash line, clothespins holding frozen see-through garments in place. A black tire leans against a post, dark with its taupe hole of tumbleweed. Behind the wire fence a pony stands still as stone. The ashen sky. One kind word can warm three winter months. You have warmed a year.
day 61
A blue heron swoops its gray wings to a cedar branch, the stick legs balance on a bobbing limb. I call my son to see its yellow beak, the rocking motion of its body. Together we forget. For a moment we are looking down on the water, pausing to gather ourselves. For a moment the wings expand and leave us alone.
(the previous two are grief poems after the death of my husband, A.J., in May 2005)
Return
I have come all the way to Corraun not to run from sorrow but
to enter in deeper in a world of stone, of sea and silent hillsides. I want
to surround it, see it from all sides like Achill Island with its sand
and rugged shore, with its sheep and barren slopes, castles broken on inlets
by storms, centuries of wind. Nothing remains but shell. Do you see them too,
clumps of heather purpling the hills, wild fuchsia on roadsides, vistas
of rolling green? I return to Mayo County to walk in the steps of your fathers,
the ones who wove the threads of love for you through years of famine and faith
long before you were born. I have come to honor you and your name
imbedded in every cell of my bones. It is the passage that counts,
what’s left behind, the migrations, the breath of God in the going,
always the sounds of dancing, of laughter and Irish songs in the wind. |
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Page modified: Monday, May 01, 2006 • webmaster: jim(at)graydog(dot)org ° 2005 This web site is copyrighted by Northwind Arts Alliance. All artwork is copyrighted by each artist. Northwind Arts Alliance is a non-profit, tax-exempt 501(c)(3) organization |
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